This was... different. But I've been worried about some of what Joker's told me...
[ that gets minako's attention, and she rubs at makoto's upper back, pulling her a little closer. there's a crushing psychic weight that seems to bear down on the projection of sees, along with the distant noises of screaming and utter chaos from the city below.
the scene glitches forward again. blue walls. blue everything, save for the checkerboard floor and gold accents here and there. the velvet room. (the accompanying aria and piano cut in like a needle skipping a groove.) a large elevator this time, judging from the shifting light and the huge doors that seem to serve as the far wall. in front of it, there's a desk where igor sits--hands folded as ever, with a glowing tarot card spinning in front of him-- with a woman standing near him who appears similar to lavenza, but older, with a bob cut and a sleeveless blue dress.
the projection of minako sits before the desk, in a chair whose back matches orpheus's lyre. ]
no subject
[ that gets minako's attention, and she rubs at makoto's upper back, pulling her a little closer. there's a crushing psychic weight that seems to bear down on the projection of sees, along with the distant noises of screaming and utter chaos from the city below.
the scene glitches forward again. blue walls. blue everything, save for the checkerboard floor and gold accents here and there. the velvet room. (the accompanying aria and piano cut in like a needle skipping a groove.) a large elevator this time, judging from the shifting light and the huge doors that seem to serve as the far wall. in front of it, there's a desk where igor sits--hands folded as ever, with a glowing tarot card spinning in front of him-- with a woman standing near him who appears similar to lavenza, but older, with a bob cut and a sleeveless blue dress.
the projection of minako sits before the desk, in a chair whose back matches orpheus's lyre. ]